Public Light & Space: Ben Stagl











I want to extend an especially huge thanks to our sponsors:
The Oregon Arts Commission
The Oregon Museum of Science and Industry
Vancouver Iron and Steel
Bridgetown Cores
Harbison Walker Refractories
Willamette Graystone
Portland State University
Mt. Hood Community College
United Western Supply
Gallery Homeland
La Grande Industrial Supply
Silverton Foundry
Oliver Ortiz
***and especially***
Tool Shed PDX http://www.toolshedpdx.org
Guest Artist Dan Matheson (CHICAGO...pictured above)
and Bridgetown Cores Owner Beth Knipple
The Tool Shed will be hosting many more foundry workshops in the coming months including Bronze and Aluminum casting as well as many more exiting fire related events! Without the participation and resources these folks brought to the plate without question or compromise none of this would have been possible! Go to their website for more info on coming events.
And last but not least thanks to all the participants and volunteers for making this dream a reality for us all! You each have my deepest appreciation and respect... you know who you are...
all my love,
Ben

Portland Iron is proud to present its first ever community Iron Pour Demonstration, providing Portlanders access to and awareness of the art of iron casting. Organized by Ben Stagl and Caitlin Moore the pour will also include the expertise of visiting artist and veteran iron caster Dan Matheson.
The Portland Iron pour is modeled on an art making tradition of "iron pours" currently being upheld at colleges, conferences, and artists' studios around the nation and the world. Many institutions have built this art making process into their curiculum, holding pours annually and sending teams of students to iron conferences like the biennial International Conference on Cast Iron to take part in lectures, workshops, and compete in furnace building and operation. It is an active, diverse community with a fascinating process that only a few in Portland have ever taken part in. The Portland Iron pour is an opportunity for people to witness this fantastic aspect or contemporary art making first hand.
Community Involvement begins with a series of pattern making workshops on Aug 10th, 12th, and 13th at Watershed PDX (5040 SE Milwaukie, Portland, OR 97202). On the day of the pour there will be blank molds or scratch plates that will be cast for spectators to personalize and take home with them. And those who come to watch the pour will be treated to a crowd pleasing display of artistry and the awe-inspiring process of turning scrap metal into sculpture.
click the link to see review by Lisa Radon!
http://www.ultrapdx.com
Check out more images form the show on these blogs
http://www.openwidepdx.com
http://pdxart.blogspot.com
photo: Calvin Ross Carl at OPENWIDEpdx.com.


I am currently participating in this LA/PDX group show which is opening in the Portland area this weekend.
When:
7:00pm - 10:00pm Sat, Apr 4
THE STILL LIFE SHOW:
Two Simultaneous, Collaborative Exhibitions in Los Angeles and Portland, Oregon
Curated by Anna Fidler
EXHIBITION DATES:
Milepost 5
900 NE 81st Ave. Portland, OR
Opening: SATURDAY APRIL 4, 7-10pm
April 4-26, 2009
Gallery Hours: Friday-Sunday, 1-5pm
Five Thirty Three
533 Los Angeles St. Los Angeles, CA
Opening: SATURDAY March 21
March 21-April 18, 2009
http://www.fivethirtythree.org/
Still Life Show:
The premise of The Still Life Show involves a pairing of eighteen artists from Los Angeles and Portland, Oregon. Portland’s ebb and flow of dreary winter and resplendent summer, fascination with experimental music, European-influenced urban planning, and bicycle riding seems far removed from LA’s vast, sprawling pocket neighborhoods; each island-like and different from the next, U-turns, car tans, canyons, and fiery Santa Ana winds. I feel that there is much to be gained by an exchange of sorts between these fascinatingly dissimilar cities that I have lived in; united by the commonality of art making. This exhibition was created to incite a curious dialogue between artists, schools, writers, and spaces.
Each artist was told to find a box of any size and fill it with contents of their own whim and discretion. I paired the artists and sent each a corresponding address. Nine artists from Los Angeles sent boxes to Portland and likewise nine Portland artists sent boxes to LA. Artists were instructed to install the contents of the box they received as a ‘still life’. Only items placed in the box could be used.
Similar to Japanese ikebana, ‘still life’ in this context serves as a unifying force. Whereas usually a painting or drawing would be made from a still life, in this case the arrangement itself is the work of art.
This exhibition represents an overall mixing of emerging and established, West Coast north and south, craft and anti-craft, desert and forest, public and private, domestic and wild.
-Anna Fidler, Curator
ARTISTS:
PORTLAND ----------------- LOS ANGELES
Holly Andres ------------------- Erik Bluhm
Damien Gilley --------- Patricia Fernandez
Sam Gould --------------------- Amy Green
MK Guth ----------------------- John Knuth
Jessica Jackson Hutchins -- Laura Owens
Melody Owen -------------- Juliana Paciulli
Patrick Rock ----------------- Jenny Phelps
Ben Stagl ------------------- Noah Thomas
Storm Tharp ----------------- Ami Tallman


